Cinderella

Once upon a time there was a worthy man who married for his second wife the haughtiest, proudest woman that had ever been seen. She had two daughters, who possessed their mother's temper and resembled her in everything. Her husband, on the other hand, had a young daughter, who was of an exceptionally sweet and gentle nature. She got this from her mother, who had been the nicest person in the world.

The wedding was no sooner over than the stepmother began to display her bad temper. She could not endure the excellent qualities of this young girl, for they made her own daughters appear more hateful than ever. She thrust upon her all the meanest tasks about the house. It was she who had to clean the plates and the stairs, and sweep out the rooms of the mistress of the house and her daughters. She slept on a wretched mattress in a garret at the top of the house, while the sisters had rooms with parquet flooring, and beds of the most fashionable style, with mirrors in which they could see themselves from top to toe.

The poor girl endured everything patiently, not daring to complain to her father. The latter would have scolded her, because he was entirely ruled by his wife. When she had finished her work she used to sit amongst the cinders in the corner of the chimney, and it was from this habit that she came to be commonly known as Cinder-slut. The younger of the two sisters, who was not quite so spiteful as the elder, called her Cinderella. But her wretched clothes did not prevent Cinderella from being a hundred times more beautiful than her sisters, for all their resplendent garments.

It happened that the king's son gave a ball, and he invited all persons of high degree. The two young ladies were invited amongst others, for they cut a considerable figure in the country. Not a little pleased were they, and the question of what clothes and what mode of dressing the hair would become them best took up all their time. And all this meant fresh trouble for Cinderella, for it was she who went over her sisters' linen and ironed their ruffles. They could talk of nothing else but the fashions in clothes.

'For my part,' said the elder, 'I shall wear my dress of red velvet, with the Honiton lace.'

'I have only my everyday petticoat,' said the younger, 'but to make up for it I shall wear my cloak with the golden flowers and my necklace of diamonds, which are not so bad.'

They sent for a good hairdresser to arrange their double-frilled caps, and bought patches at the best shop.

They summoned Cinderella and asked her advice, for she had good taste. Cinderella gave them the best possible suggestions, and even offered to dress their hair, to which they gladly agreed.

While she was thus occupied they said:

'Cinderella, would you not like to go to the ball?'

'Ah, but you fine young ladies are laughing at me. It would be no place for me.'

'That is very true, people would laugh to see a cinder-slut in the ballroom.'

Any one else but Cinderella would have done their hair amiss, but she was good-natured, and she finished them off to perfection. They were so excited in their glee that for nearly two days they ate nothing. They broke more than a dozen laces through drawing their stays tight in order to make their waists more slender, and they were perpetually in front of a mirror.

At last the happy day arrived. Away they went, Cinderella watching them as long as she could keep them in sight. When she could no longer see them she began to cry. Her godmother found her in tears, and asked what was troubling her.

'I should like—I should like——'

She was crying so bitterly that she could not finish the sentence.

Said her godmother, who was a fairy:

'You would like to go to the ball, would you not?'

'Ah, yes,' said Cinderella, sighing.

'Well, well,' said her godmother, 'promise to be a good girl and I will arrange for you to go.'

She took Cinderella into her room and said:

'Go into the garden and bring me a pumpkin.'

Cinderella went at once and gathered the finest that she could find. This she brought to her godmother, wondering how a pumpkin could help in taking her to the ball.

Her godmother scooped it out, and when only the rind was left, struck it with her wand. Instantly the pumpkin was changed into a beautiful coach, gilded all over.

Then she went and looked in the mouse-trap, where she found six mice all alive. She told Cinderella to lift the door of the mouse-trap a little, and as each mouse came out she gave it a tap with her wand, whereupon it was transformed into a fine horse. So that here was a fine team of six dappled mouse-grey horses.

But she was puzzled to know how to provide a coachman.

'I will go and see,' said Cinderella, 'if there is not a rat in the rat-trap. We could make a coachman of him.'

'Quite right,' said her godmother, 'go and see.'

Cinderella brought in the rat-trap, which contained three big rats. The fairy chose one specially on account of his elegant whiskers.

As soon as she had touched him he turned into a fat coachman with the finest moustachios that ever were seen.

'Now go into the garden and bring me the six lizards which you will find behind the water-butt.'

No sooner had they been brought than the godmother turned them into six lackeys, who at once climbed up behind the coach in their braided liveries, and hung on there as if they had never done anything else all their lives.

Then said the fairy godmother:

'Well, there you have the means of going to the ball. Are you satisfied?'

'Oh, yes, but am I to go like this in my ugly clothes?'

Her godmother merely touched her with her wand, and on the instant her clothes were changed into garments of gold and silver cloth, bedecked with jewels. After that her godmother gave her a pair of glass slippers, the prettiest in the world.

 Thus altered, she entered the coach. Her godmother bade her not to stay beyond midnight whatever happened,warning her that if she remained at the ball a moment longer, her coach would again become a pumpkin, her horses mice, and her lackeys lizards, while her old clothes would reappear upon her once more.

She promised her godmother that she would not fail to leave the ball before midnight, and away she went, beside herself with delight.

 The king's son, when he was told of the arrival of a great princess whom nobody knew, went forth to receive her. He handed her down from the coach, and led her into the hall where the company was assembled. At once there fell a great silence. The dancers stopped, the violins played no more, so rapt was the attention which everybody bestowed upon the superb beauty of the unknown guest. Everywhere could be heard in confused whispers:

'Oh, how beautiful she is!'

The king, old man as he was, could not take his eyes off her, and whispered to the queen that it was many a long day since he had seen any one so beautiful and charming.

All the ladies were eager to scrutinise her clothes and the dressing of her hair, being determined to copy them on the morrow, provided they could find materials so fine, and tailors so clever.

The king's son placed her in the seat of honour, and at once begged the privilege of being her partner in a dance. Such was the grace with which she danced that the admiration of all was increased.

A magnificent supper was served, but the young prince could eat nothing, so taken up was he with watching her. She went and sat beside her sisters, and bestowed numberless attentions upon them. She made them share with her the oranges and lemons which the king had given her—greatly to their astonishment, for they did not recognise her.

While they were talking, Cinderella heard the clock strike a quarter to twelve. She at once made a profound curtsey to the company, and departed as quickly as she could.

As soon as she was home again she sought out her godmother, and having thanked her, declared that she wished to go upon the morrow once more to the ball, because the king's son had invited her.

While she was busy telling her godmother all that had happened at the ball, her two sisters knocked at the door. Cinderella let them in.

'What a long time you have been in coming!' she declared, rubbing her eyes and stretching herself as if she had only just awakened. In real truth she had not for a moment wished to sleep since they had left.

'If you had been at the ball,' said one of the sisters, 'you would not be feeling weary. There came a most beautiful princess, the most beautiful that has ever been seen, and she bestowed numberless attentions upon us, and gave us her oranges and lemons.'

Cinderella was overjoyed. She asked them the name of the princess, but they replied that no one knew it, and that the king's son was so distressed that he would give anything in the world to know who she was.

Cinderella smiled, and said she must have been beautiful indeed.

'Oh, how lucky you are. Could I not manage to see her? Oh, please, Javotte, lend me the yellow dress which you wear every day.'

'Indeed!' said Javotte, 'that is a fine idea. Lend my dress to a grubby cinder-slut like you—you must think me mad!'

Cinderella had expected this refusal. She was in no way upset, for she would have been very greatly embarrassed had her sister been willing to lend the dress.

The next day the two sisters went to the ball, and so did Cinderella, even more splendidly attired than the first time.

The king's son was always at her elbow, and paid her endless compliments.

The young girl enjoyed herself so much that she forgot her godmother's bidding completely, and when the first stroke of midnight fell upon her ears, she thought it was no more than eleven o'clock.

She rose and fled as nimbly as a fawn. The prince followed her, but could not catch her. She let fall one of her glass slippers, however, and this the prince picked up with tender care.

When Cinderella reached home she was out of breath, without coach, without lackeys, and in her shabby clothes. Nothing remained of all her splendid clothes save one of the little slippers, the fellow to the one which she had let fall.

Inquiries were made of the palace doorkeepers as to whether they had seen a princess go out, but they declared they had seen no one leave except a young girl, very ill-clad, who looked more like a peasant than a young lady.

When her two sisters returned from the ball, Cinderella asked them if they had again enjoyed themselves, and if the beautiful lady had been there. They told her that she was present, but had fled away when midnight sounded, and in such haste that she had let fall one of her little glass slippers, the prettiest thing in the world. They added that the king's son, who picked it up, had done nothing but gaze at it for the rest of the ball, from which it was plain that he was deeply in love with its beautiful owner.

They spoke the truth. A few days later, the king's son caused a proclamation to be made by trumpeters, that he would take for wife the owner of the foot which the slipper would fit.

They tried it first on the princesses, then on the duchesses and the whole of the Court, but in vain. Presently they brought it to the home of the two sisters, who did all they could to squeeze a foot into the slipper. This, however, they could not manage.

Cinderella was looking on and recognised her slipper:

'Let me see,' she cried, laughingly, 'if it will not fit me.'

Her sisters burst out laughing, and began to gibe at her, but the equerry who was trying on the slipper looked closely at Cinderella. Observing that she was very beautiful he declared that the claim was quite a fair one, and that his orders were to try the slipper on every maiden. He bade Cinderella sit down, and on putting the slipper to her little foot he perceived that the latter slid in without trouble, and was moulded to its shape like wax.

Great was the astonishment of the two sisters at this, and greater still when Cinderella drew from her pocket the other little slipper. This she likewise drew on.

At that very moment her godmother appeared on the scene. She gave a tap with her wand to Cinderella's clothes, and transformed them into a dress even more magnificent than her previous ones.

The two sisters recognised her for the beautiful person whom they had seen at the ball, and threw themselves at her feet, begging her pardon for all the ill-treatment she had suffered at their hands.

Cinderella raised them, and declaring as she embraced them that she pardoned them with all her heart, bade them to love her well in future.

She was taken to the palace of the young prince in all her new array. He found her more beautiful than ever, and was married to her a few days afterwards.

Cinderella was as good as she was beautiful. She set aside apartments in the palace for her two sisters, and married them the very same day to two gentlemen of high rank about the Court.

Project Cutenberg: www.gutenberg.org/ebooks/11.

Charles Perrault, "Cendrillon, ou la petite pantoufle de verre," Histoires ou contes du temps passé, avec des moralités: Contes de ma mère l'Oye (Paris, 1697).

Cinderella, or The Little Glass Slipper, (Italian: Cenerentola, French: Cendrillon, ou La petite Pantoufle de Verre, German: Aschenputtel) is a folk tale embodying a myth-element of unjust oppression/triumphant reward. Thousands of variants are known throughout the world.[1][2] The title character is a young woman living in unfortunate circumstances, that are suddenly changed to remarkable fortune. The story of Rhodopis, recounted by the Greek geographer Strabo in around 7 BC, about a Greek slave girl who marries the king of Egypt, is considered the earliest known variant of the "Cinderella" story.[1][2][3] The most popular version was first published by Charles Perrault in Histoires ou contes du temps passé in 1697,[4] and later by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales.

Although the story's title and main character's name change in different languages, in English-language folklore "Cinderella" is the archetypal name. The word "Cinderella" has, by analogy, come to mean one whose attributes were unrecognized, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of "Cinderella" continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media. The Aarne–Thompson system classifies Cinderella as "the persecuted heroine".

(Wikipedia)